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Phillauri directed by Anshai Lal which is already struggling at the box office has now become the latest victim of online piracy.

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I've read reviews that are really good to downright terrible. I, somehow, liked this odd little film, despite its shortcomings. This Fantasy Romantic-Comedy is inconsistent & over long, yet its a sweet tale with a clean heart. 'Phillauri' Synopsis: A man must marry a tree to ward off threats to his love-life, but the tree turns out to have more spirit than the man bargained for. 'Phillauri' has an interesting premise & it makes good use of it. The first-hour is more on the comedic side & the laughs are register. The tale of the ghost & the henpecked leading-man is amusing. Its the second-hour, where 'Phillauri' takes in flaws in heaps. The old-age love-story of Shashi & Phillauri isn't arresting enough, although there is a certain earnestness to it. The contemporary love-story of Kanan & Anu, works far better & scores on its humor. But, the biggest letdown here is the culmination. What starts off as a light-hearted, slow-moving story about lovers, turns into a really long story of departed souls. As mentioned before, the first-hour works, but the second-hour doesn't arrest beyond a point. Sure, 'Phillauri' is far from perfect, but what I liked particularly here is the breezy & lighthearted tone. Anvita Dutt's Screennplay is sweet, but needed some trimming & a more consistent tone. Had the Writing been more crisp, the overall result would've been a lot more effective. Cinematography, Editing & Graphics, are decent. Shashwat Sachdev & Jasleen Royal's Score is good.

Performance-Wise: Anushka Sharma shines as Shashi, the friendly ghost. Suraj Sharma as the henpecked Kanan, springs a pleasant surprise. The actor is terrific & displays his gift for physical comedy. Mehreen Pirzada as Kanan's fiancé, is wonderful.ĭiljit Dosanjh as Phillauri, is restrained. On the whole, 'Phillauri' may not work for all, but it did for me. Successful fantasy dramas in Bollywood are a rare phenomena. With Amol Palekar's Paheli (2005) as a solid benchmark, it can be difficult to create an interesting film, as this ambitious project by a debutante director shows. Kanan (Suraj Sharma) is a young man who arrives from Canada and is taken by his parents straight to his would-be-fiancée and high school sweetheart Anu's (Mehreen Pirzada) house for their engagement and subsequent wedding which is scheduled a week from now. Already mad with the swift turn of events and unsure about the whole marriage thing, Kanan tries to speak his mind, but it all falls in deaf ears. Things move at a faster rate as he is directed by the family pandit (Hindu scholar) to first marry a tree so that he can get rid of his astrological curse. No prize for guessing, but Kanan soon finds out that the tree that he married the previous day contained the ghost of a woman named Shashi (Anushka Sharma) who now believes and takes him to be her lawfully-wedded husband. A shaken Kanan tries to avoid her, but for how long? And how is he going to explain it to Anu, who now thinks that Kanan has changed from a genteel lover-boy to a weed-smoking hipster who plays around with women's feelings.

If there is a thing called convenient filmmaking, then this is it. With the setup of a big Indian wedding that reminds me of a yesteryear Malayalam-language film, Anwar Rasheed's Ustad Hotel (2012), used to introduce the characters, the film makes a promising start. Superstitious families, an over-attached girlfriend, and a mysterious ghost from the previous century - the film has everything a Bollywood film could ask for. And for some time, it even manages to entertain. However, the level of quality and entertainment soon falls when you realize that the humor is forced and the drama unceremonious and inconsequential. Kanan is a 26-year old man and his encounters with Shashi are so childish they are cringe-worthy. Suraj's portrayal as the helpless guy does not work either, even when he is supported by a talented supporting cast. The only positive element that works for the film is that the suspense about Shashi's past stays strong throughout the film, mostly because it is explored non-linearly and is only dug deeper in the final 30 minutes. The base is quite similar to Palekar's 2005 SRK-starrer, with the exception of disappointing performances from the lead cast. Suraj sports a single expression throughout the 2 hours of running time - whether it is him flirting with his would-be or being terrorized by Shashi. Anushka does not do much for her character other than lazing around from point A to B looking like she hasn't a clue. All excuses defending her character should be attributed to bad writing.